Scale Reproduction of the Seated Figure of Dainichi Nyorai [Skt, Mahāvairocana] by Kaikei.

Sculptor: Miura Yasumichi, Patinated Coloring: Nakamura Tsuneyoshi

This scale reproduction was created in order to study the way in which wooden sculptures were planned in classic times. The work chosen as a model for this project is a seated figure of Dainichi Nyorai belonging to the University Art Museum of Tokyo University of the Arts that was made by Kaikei, the representative sculptor of the Keiha school. 

When new students enter the Conservation Course’s Sculpture Laboratory, the first project they are given is to produce a scale reproduction like this. In order to finish the surface of a Buddhist statue, well-sharpened cutting tools and minute handwork are essential. New students start from the basics, gradually improving their skills and learning how to care for a variety of tools. They also learn basic skills like warihagi [splitting and joining the work], warikubi [jointed neck], uchiguri [hollowing out], gyokugan [crystal eyes], etc., as well as finishing techniques, such as patinating, etc. A full understanding of the basic techniques used to create a Buddhist statue is extremely important when actually carrying out restoration of cultural properties. 

​縮尺模刻での割矧ぎ​

学生による原本像の調査​

​縮尺模刻での割矧ぎ​

​割首​

​宝冠の仕上げ​

​割首​後

​制作中の髻

​玉眼の嵌入​

​裳先の制作​

​古色まで施した状態​

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文化財保存学専攻 保存修復彫刻研究室